After Georgia O'Keeffe (American, 1887-1986): Crab's Claw Plant, 1939. Oil on burlap, signed, titled, and dated verso, unframed, label verso.

Georgia O’Keeffe was an American modernist painter known as "The Mother of Modernism". She is most recognized for her paintings of flowers, the desert landscapes of New Mexico; and the skyscrapers of New York. Garnering legendary status as early as the 1920s, O'Keeffe's work is instantly recognizable and her Jimson Weed/White Flower No. 1 (1932) holds the record for highest price paid for a painting by a woman.

O'Keeffe's still lifes from the early 1920s are a series of explorations in looking at things close at hand--the fruit and vegetables grown at Lake George, the leaves picked up and examined in all their various shapes, the clam shells gathered in Maine, the flowers bought in New York. Yet if we compare them to the real things or other artists' representations of such things, it rapidly becomes evident that O'Keeffe has made these objects uniquely hers. She has recognized, as most modern artists, that the work of art is an object itself, a thing apart from that which is represented" (in E.H. Turner, Georgia O'Keeffe: The Poetry of Things, Washington, D.C., 1999, p. 53).

After

After is the term used in two ways:

To denote that the work is a copy of a known artwork by another artist; To indicate that the artwork is a mechanically printed reproduction of an original artwork which exists in another media. This definition includes digitally printed compositions, where the original artwork exists as pixels in a digital file. Sometimes reproductions are hand-signed by the artist. Examples: Famous Artist (1900-1999) After, or, After Famous Artist (1900-1999)…

23.5 x 19.5 inches canvas; 59.5 x 50 cm

Private dealer, USA


Great condition; this layer of surface grime; pin hole areas of paint loss scattered throughout; paint loss around edges.

NOTE: If documentation is not listed, the lot is sold without documents.

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